Uniformed bobby P.C.49 dreams of becoming a plain clothes detective. A chance comes his way when, to the consternation of his girlfriend, Joan, he is assigned to protect glamorous model Della Dainton, who has been receiving threatening letters. A murder soon follows, but 49, overwhelmed by Della’s beauty, cannot believe that she could possibly be involved. Joan decides to solve the case herself…
![3- ACFPC49 1 3- ACFPC49 1](https://www.hammer-graveyard.org.uk/wp-content/uploads/2023/09/3-ACFPC49-1-450x350.jpg)
Production Details
A Hammer production released by Exclusive Films (UK) and Lippert Films (USA)
Based on the popular B.B.C. feature
All characters in this photoplay are fictitious and bear no relation to any real person, living or dead
Black & White 81 minutes
Filming Began: 1st January 1951
UK Release: 23rd July 1951
Studio:
Bray Studios, Down Place, Oakley Green, Berkshire
Stills from film
Click an image for enlarged slideshow
Cast & Crew
Crew | Name | Age at Release | Birth | Death | Age | Hammer Credited | Hammer Uncredited | Total Hammer |
Assistant Director | Jimmy Sangster | 23 | 2 Dec 1927 | 19 Aug 2011 | 83 | 65 | 2 | 67 |
Camera Operator | Peter Bryan | 31 | 28 Sep 1919 | 1 Sep 1972 | 52 | 22 | 22 | |
Casting | Michael Carreras | 23 | 21 Dec 1927 | 19 Apr 1994 | 66 | 82 | 5 | 87 |
Continuity | Rene Glynne | 24 | 3 Aug 1926 | 6 Apr 2022 | 95 | 38 | 3 | 41 |
Director | Francis Searle | 42 | 14 Mar 1909 | 31 Jul 2002 | 93 | 17 | 17 | |
Director of Photography | Walter Harvey BSc | 48 | 9 Feb 1903 | 1 Jan 1979 | 75 | 34 | 34 | |
Editor | James Needs | 31 | 17 Oct 1919 | 4 Feb 2003 | 83 | 110 | 1 | 111 |
Hair Stylist | Anne Box | 5 | 5 | |||||
Make-up | Phil Leakey | 43 | 4 May 1908 | 26 Nov 1992 | 84 | 48 | 48 | |
Musical Director | Frank Spencer | 40 | 19 Jun 1911 | 1 Feb 1975 | 63 | 21 | 1 | 22 |
Producer | Anthony Hinds | 28 | 18 Sep 1922 | 30 Sep 2013 | 91 | 84 | 1 | 85 |
Production Manager | Arthur Barnes | 65 | 1 Jan 1886 | 1 Jan 1956 | 70 | 20 | 20 | |
Recordist | Edgar Vetter | 38 | 27 Jan 1913 | 15 Dec 1988 | 75 | 15 | 15 | |
Screenplay | Alan Stranks | 47 | 7 Aug 1903 | 18 Jun 1959 | 55 | 2 | 2 | |
Screenplay | Vernon Harris | 46 | 26 Feb 1905 | 1 Feb 1999 | 93 | 2 | 2 | |
Cast | Name | Age at Release | Birth | Death | Age | Hammer Credited | Hammer Uncredited | Total Hammer |
Archibald Berkley Willoughby, PC49 | Brian Reece | 37 | 24 Jul 1913 | 12 Apr 1962 | 48 | 2 | 2 | |
Chubby | Michael Balfour | 33 | 11 Feb 1918 | 24 Oct 1997 | 79 | 3 | 3 | |
Coffee Dan | John Warren | 34 | 13 Nov 1916 | 1 Jan 1977 | 60 | 4 | 1 | 5 |
Cutler | Jack Stewart | 38 | 22 Mar 1913 | 1 Jan 1966 | 52 | 4 | 4 | |
Della Dainton | Christine Norden | 26 | 28 Dec 1924 | 21 Sep 1988 | 63 | 2 | 2 | |
Desk Sergeant | John Sharp | 30 | 5 Aug 1920 | 26 Nov 1992 | 72 | 5 | 5 | |
Elsie | Joan Seton | 29 | 17 Feb 1922 | 14 Mar 1985 | 63 | 1 | 1 | |
George Steele | Michael Ripper | 38 | 27 Jan 1913 | 28 Jun 2000 | 87 | 34 | 2 | 36 |
Inspector Wilson | Gordon McLeod | 66 | 27 Dec 1884 | 16 Oct 1953 | 68 | 2 | 2 | |
Jimmy Pewter | John Barry | 1 | 1 | |||||
Joan Carr | Joy Shelton | 29 | 3 Jun 1922 | 28 Jan 2000 | 77 | 1 | 1 | |
Mrs Bott | Edna Morris | 45 | 11 Jul 1906 | 11 Aug 1972 | 66 | 1 | 1 | |
Police Sergeant | Frank Hawkins | 44 | 18 Mar 1907 | 1 Jan 1995 | 87 | 1 | 1 | 2 |
Sergeant Wright | Campbell Singer | 42 | 16 Mar 1909 | 16 Feb 1976 | 66 | 5 | 5 | |
Victor Palantine | Leslie Bradley | 43 | 1 Sep 1907 | 20 Jul 1974 | 66 | 1 | 1 |
Original Poster
Click to enlarge
Footnotes
Actress Christine Norden was married five times and has one of the craters of the planet Venus named after her as a tribute to her being a “forerunner of the modern sex symbol.”
It is round about this time that Hammer made their “permanent” home at Bray Studios. Although they had used the building next door, Oakley Court, in earlier productions, the first film made at the studios themselves was Cloudburst (1951).
Also at this time, Hammer concluded a deal for US distribution with Lippert Films. Now able to spend more money, the films from now on generally show a marked improvement in production values. This filmography will reflect this change by giving, where possible, details of the American Distributor.