In London, solicitor Arthur Kipps still grieves over the death of his beloved wife Stella on the delivery of their son Joseph four years before. His employer gives him a last chance to keep his job, and he is assigned to travel to the remote village of Crythin Gifford to examine the documentation of the Eel Marsh House that belonged to the recently deceased Mrs. Drablow.
Arthur befriends Daily on the train and the man offers a ride to him to the Gifford Arms inn. Arthur has a cold reception and the owner of the inn tells that he did not receive the request of reservation and there is no available room.
The next morning, Arthur meets solicitor Jerome who advises him to return to London. However, Arthur goes to the isolated manor and soon he finds that Eel Marsh House is haunted by the vengeful ghost of a woman dressed in black. He also learns that the woman lost her son, drowned in the marsh, and she seeks revenge, taking the children of the terrified locals.
Production Details
Hammer Alliance Films and the UK Film Council Present in association with Crosscreek Pictures, a Talisman Production in association with Exclusive Media Group
Co-Produced by Filmgate Films and Film | Vast
Based on the novel by Susan Hill
Running time 95 mins
Filming Began: 26th September 2010
UK Release: 10th February 2012
Studio:
Pinewood Studios, Iver Heath, Buckinghamshire
Location:
The Causeway to Osea Island, Maldon, Essex
Osea Island, Maldon, Essex
Cotterstock Hall, Oundle, Northamptonshire – Eel Marsh House
Halton Gill, Yorkshire Dales, North Yorkshire
Bluebell Railway, East Sussex – Train station
Colne Valley Railway, Essex – Train scenes
Mangapps Railway, Burnham, Essex – Exterior scenes
Layer Marney Tower, Layer Marney, Essex
Harpsden Court, Harpsden Way, Henley-on-Thames, Oxfordshire
Manor House, Frogmore Lane, Long Crendon, Buckinghamshire
Stills from film
Click an image for enlarged slideshow
Cast & Crew
Crew | Name | Age at Release | Birth | Hidden | Death | Age | Hammer Credited | Hammer Uncredited | Total Hammer |
Based on the novel by | Susan Hill | 70 | 5 Feb 1942 | 5.02.1942 | 82 | 2 | 2 | ||
Casting by | Karen Lindsay-Stewart CDG | 1 | 1 | ||||||
Costume Designer | Keith Madden | 1 | 1 | ||||||
Directed by | James Watkins | 34 | 20 May 1973 | 20.05.1973 | 50 | 1 | 1 | ||
Director of Photography | Tim Maurice-Jones | 1 | 1 | ||||||
Editor | Jon Harris | 44 | 11 Jul 1967 | 11.07.1967 | 56 | 1 | 1 | ||
Hair and Make-up Designer | Jeremy Woodhead | 1 | 1 | ||||||
Music by | Marco Belitrami | 45 | 7 Oct 1966 | 7.10.1966 | 57 | 2 | 2 | ||
Production Designer | Kave Quinn | 52 | 01 Jan 1960 | 01.01.1960 | 64 | 1 | 1 | ||
Screenplay by | Jane Goldman | 41 | 11 Jun 1970 | 11.06.1970 | 53 | 1 | 1 | ||
Cast | Name | Age at Release | Birth | Hidden | Death | Age | Hammer Credited | Hammer Uncredited | Total Hammer |
Arthur Kipps | Daniel Radcliffe | 22 | 23 Jul 1989 | 23.07.1989 | 34 | 1 | 1 | ||
Charlie Hardy | Willim Tobin | 1 | 1 | ||||||
Daily | Ciaran Hinds | 59 | 9 Feb 1953 | 9.02.1953 | 71 | 1 | 1 | ||
Doctor | Andy Robb | 41 | 14 Mar 1970 | 14.03.1970 | 54 | 1 | 1 | ||
Fisher | Shaun Dooley | 37 | 29 Mar 1974 | 29.03.1974 | 49 | 1 | 1 | ||
Fisher Girl | Ellis Walker-Reid | 1 | 1 | ||||||
Fisher Girl | Emma Shorey | 1 | 1 | ||||||
Fisher Girl | Molly Harmon | 1 | 1 | ||||||
Gerald Hardy | Victor McGuire | 47 | 17 Mar 1964 | 17.03.1964 | 59 | 1 | 1 | ||
Jennet | Liz White | 32 | 11 Aug 1979 | 11.08.1979 | 44 | 1 | 1 | ||
Joeseph Kipps | Misha Handley | 1 | 1 | ||||||
Kekwick | Daniel Cerqueira | 1 | 1 | ||||||
Little Girl on Train | Indira Ainger | 1 | 1 | ||||||
Lucy Jerome | Aoife Doherty | 1 | 1 | ||||||
Mr Bentley | Roger Allum | 58 | 26 Oct 1953 | 26.10.1953 | 70 | 1 | 1 | ||
Mr Jerome | Tim McMullan | 49 | 01 Jan 1963 | 01.01.1963 | 61 | 1 | 1 | ||
Mrs Daily | Janet McTeer | 50 | 5 Aug 1961 | 5.08.1961 | 62 | 1 | 1 | ||
Mrs Drablow | Alisa Khazanova | 37 | 13 Feb 1974 | 13.02.1974 | 50 | 1 | 1 | ||
Mrs Fisher | Mary Stockley | 1 | 1 | ||||||
Mrs Jerome | Cathy Sara | 39 | 7 Apr 1972 | 7.04.1972 | 51 | 1 | 1 | ||
Nancy | Jessica Raine | 29 | 20 May 1982 | 20.05.1982 | 41 | 1 | 1 | ||
Nathaniel Drablow | Ashley Foster | 1 | 1 | ||||||
Nicholas Daily | Sidney Johnston | 1 | 1 | ||||||
Nursemaid | Lucy May Barker | 19 | 4 Apr 1992 | 4.04.1992 | 31 | 1 | 1 | ||
PC Collins | David Burke | 77 | 25 May 1934 | 25.05.1934 | 89 | 1 | 1 | ||
Stella Kipps | Sophie Stuckey | 20 | 01 Mar 1991 | 01.03.1991 | 33 | 1 | 1 | ||
Tom Hardy | Alfie Field | 1 | 1 | ||||||
Victoria Hardy | Alexia Osborne | 1 | 1 |
Original Poster
Click to enlarge
Footnotes
The film was to be shot in 3D before plans were scrapped.
Principal photography took place from September to December 2010 across England. Post-production lasted until June 2011.
The film attracted controversy after receiving a 12A certificate from the British Board of Film Classification, despite several cuts being made.
During opening weekend, The Woman in Black earned $20 million, the biggest US opening for a Hammer film in their history.
The Woman in Black grossed $128,955,898 worldwide.