Simon and Eleanor Ashby attend a memorial service with their Aunt Harriet. It’s 11 years after the tragic death of their parents, and 8 years since their brother, Anthony, committed suicide. In three weeks time they will inherit the family fortune. But, what’s happening to Eleanor – she keeps seeing her dead brother. Is Simon plotting to drive her insane and inherit the lot himself, or has Anthony really returned from the dead!!!!
Production Details
A Hammer film production released by Universal International
Copyright MCMLXIV Universal Pictures, Company Incorporated – All rights reserved MPAA Approved
The characters and incidents portrayed and the names used herein are fictitious and any similarity to the name, character, or history of any person is entirely accidental and unintentional
From a novel by Josephine Tey
RCA Sound Recording
Produced at Bray Studios, England
Black & White 80 mins – Cinemascope
Filming Began: 23rd July 1962
UK Release: 26th January 1964
Studio:
Bray Studios, Down Place, Oakley Green, Berkshire
Location:
Isle of Purbeck, Dorset
Stills from film
Click an image for enlarged slideshow
Cast & Crew
Red = Uncredited
Crew | Name | Age at Release | Birth | Death | Age | Hammer Credits | Uncredited | Total Hammer | |
Art Director | https://www.hammer-graveyard.org.uk/don-mingaye/# | 35 | 1929 | 8 Nov 2017 | 88 | 28 | 15 | 43 | |
Assistant Art Director | Kenneth Ryan | 1 | 6 | 7 | |||||
Assistant Director | Ross MacKenzie | 6 | 6 | ||||||
Assistant Editor | Alan Willis | 27 | 12 Jan 1937 | 25 Apr 2015 | 78 | 3 | 3 | ||
Assistant Makeup Artist | Richard Mills | 3 | 4 | 7 | |||||
Assistant Producer | Basil Keys | 47 | 1917 | 2009 | 92 | 4 | 1 | 5 | |
Boom Assistant | Roy Mingaye | 33 | 1931 | 21 Dec 2017 | 86 | 4 | 4 | ||
Boom Operator | Ken Nightingall | 34 | 21 Apr 1929 | 19 May 2020 | 91 | 1 | 2 | 3 | |
Camera Grip | Albert Cowlard | 41 | 1923 | 01.01.1923 | 101 | 1 | 10 | 11 | |
Camera Operator | Moray Grant | 46 | 13 Nov 1917 | 17 Sep 1977 | 59 | 29 | 29 | ||
Chief Electrician | Jack Curtis | 3 | 24 | 27 | |||||
Construction Manager | https://www.hammer-graveyard.org.uk/arthur-banks/# | 19 | 29 | 48 | |||||
Continuity | Pauline Harlow (Wise) | 26 | 1938 | 01.01.1938 | 86 | 11 | 3 | 14 | |
Director | Freddie Francis | 46 | 22 Dec 1917 | 17 Mar 2007 | 89 | 6 | 6 | ||
Director of Photography | https://www.hammer-graveyard.org.uk/bernard-robinson/# | 51 | 28 Jul 1912 | 2 Mar 1970 | 57 | 45 | 4 | 49 | |
Director of Photography | https://www.hammer-graveyard.org.uk/arthur-grant/# | 49 | 1915 | 1972 | 57 | 33 | 33 | ||
First Assistant Editor | https://www.hammer-graveyard.org.uk/chris-barnes/# | 26 | 1938 | 5 Jun 2009 | 71 | 21 | 13 | 34 | |
Focus Puller | Robin Higginson | 28 | 1936 | 01.01.1936 | 88 | 1 | 1 | ||
Focus Puller | David Osborne | 1 | 2 | 3 | |||||
Hair Stylist | Frieda Steiger | 60 | 29 Dec 1903 | 19 Aug 1993 | 89 | 28 | 28 | ||
Make-up Artist | https://www.hammer-graveyard.org.uk/roy-ashton/# | 54 | 16 Apr 1909 | 10 Jan 1995 | 85 | 36 | 4 | 40 | |
Music Composer | Elisabeth Lutyens | 57 | 9 Jul 1906 | 14 Apr 1983 | 76 | 2 | 2 | ||
Musical Supervisor | https://www.hammer-graveyard.org.uk/john-hollingsworth/# | 47 | 20 Mar 1916 | 29 Dec 1963 | 47 | 37 | 3 | 40 | |
Producer | https://www.hammer-graveyard.org.uk/anthony-hinds/# | 41 | 18 Sep 1922 | 30 Sep 2013 | 91 | 86 | 3 | 89 | |
Production Manager | John Draper | 2 | 1 | 3 | |||||
Production Secretary | Maureen White | 34 | 1930 | 01.01.1930 | 94 | 1 | 5 | 6 | |
Prop Buyer | Eric Hillier | 44 | 1920 | 1975 | 55 | 17 | 17 | ||
Property Master | Tom Money | 47 | 1917 | 1974 | 57 | 2 | 21 | 23 | |
Publicity Director | Brian Doyle | 33 | 26 Nov 1930 | 23 Jan 2008 | 77 | 2 | 2 | ||
Scenic Artist | Burt Evans | 3 | 3 | ||||||
Screenplay | https://www.hammer-graveyard.org.uk/jimmy-sangster/# | 36 | 2 Dec 1927 | 19 Aug 2011 | 83 | 66 | 2 | 68 | |
Second Assistant Direcror | https://www.hammer-graveyard.org.uk/hugh-harlow/# | 24 | 17 Jun 1939 | 17.06.1939 | 85 | 5 | 33 | 38 | |
Second Assistant Director | Joe Marks | 34 | 6 Feb 1929 | 20 Oct 2019 | 90 | 6 | 6 | ||
Sound Camera Operator | Alan Thorne | 1 | 8 | 9 | |||||
Sound Camera Operator | Alan Lavender | 22 | 30 Sep 1941 | 30.09.1941 | 83 | 3 | 3 | ||
Sound Editor | James Groom | 39 | 1925 | 17 May 2016 | 91 | 13 | 2 | 15 | |
Sound Maintenance | Charles Bouvet | 57 | 27 Oct 1906 | 1978 | 71 | 8 | 8 | ||
Sound Recordist | Ken Rawkins | 46 | 1 Jan 1918 | 1971 | 53 | 18 | 18 | ||
Special Effects | https://www.hammer-graveyard.org.uk/les-bowie/# | 50 | 10 Nov 1913 | 27 Jan 1979 | 65 | 30 | 13 | 43 | |
Special Effects | Kit West | 27 | 2 Jun 1936 | 16 Apr 2016 | 79 | 1 | 7 | 8 | |
Still Photographer | Curtis Reeks | 1 | 1 | ||||||
Supervising Editor | https://www.hammer-graveyard.org.uk/james-needs/# | 44 | 17 Oct 1919 | 4 Feb 2003 | 83 | 111 | 1 | 112 | |
Third Assistant Director | Ray Corbett | 24 | 1940 | 01.01.1940 | 84 | 2 | 2 | ||
Wardrobe Mistress | https://www.hammer-graveyard.org.uk/rosemary-burrows/# | 36 | 5 | 41 | |||||
Wardrobe Supervisor | https://www.hammer-graveyard.org.uk/molly-arbuthnot/# | 55 | 19 Dec 1908 | 31 Oct 2001 | 92 | 48 | 5 | 53 | |
Cast | Name | Age at Release | Birth | Death | Age | Hammer Credits | Uncredited | Total Hammer | |
1st Woman | Laurie Leigh | 31 | 16 Sep 1932 | 16.09.1932 | 92 | 1 | 1 | ||
2nd Woman | https://www.hammer-graveyard.org.uk/marianne-stone/# | 41 | 23 Aug 1922 | 21 Dec 2009 | 87 | 8 | 3 | 11 | |
Anthony | Alexander Davion | 34 | 31 Mar 1929 | 28 Sep 2019 | 90 | 2 | 2 | ||
Aunt Harriet | Sheala Burrell | 41 | 9 May 1922 | 19 Jul 2011 | 85 | 4 | 1 | 5 | |
Eleanor Ashby | Janette Scott | 25 | 14 Dec 1938 | 14.12.1938 | 85 | 2 | 2 | ||
Francoise | Liliane Brousse | 27 | 27 Sep 1936 | 27.09.1936 | 88 | 2 | 2 | ||
John Kossett | Maurice Denham | 54 | 23 Dec 1909 | 24 Jul 2002 | 92 | 4 | 4 | ||
Keith Kossett | John Bonney | 30 | 15 Nov 1933 | 1 Jun 1993 | 59 | 1 | 1 | 2 | |
Publican | https://www.hammer-graveyard.org.uk/arnold-diamond/# | 48 | 18 Apr 1915 | 18 Mar 1992 | 76 | 5 | 2 | 7 | |
RAF Type | https://www.hammer-graveyard.org.uk/harold-lang/# | 41 | 1923 | 16 Nov 1970 | 47 | 8 | 8 | ||
Sailor | Jack Taylor | 2 | 1 | 3 | |||||
Simon Ashby | https://www.hammer-graveyard.org.uk/oliver-reed/# | 25 | 13 Feb 1938 | 2 May 1999 | 61 | 7 | 2 | 9 | |
Tramp | Sydney Bromley | 54 | 24 Jul 1909 | 14 Aug 1987 | 78 | 5 | 5 | ||
Vicar | Colin Tapley | 54 | 7 May 1909 | 1 Dec 1995 | 86 | 3 | 3 | ||
Williams | https://www.hammer-graveyard.org.uk/john-stuart/# | 65 | 18 Jul 1898 | 17 Oct 1979 | 81 | 8 | 1 | 9 |
Original Poster
Click to enlarge
Footnotes
The source of this story was Josephine Tey’s horse racing drama Brat Farrar, and it had been on Hammer’s roster for about ten years. Sangster’s final screenplay was so different from the original story that the Hammer board of directors debated whether or not they should apply for an extension to their screen rights in the novel!!
Released alongside The Kiss of the Vampire (1964), this was Freddie Francis’ first film for Hammer as Director. He won two Oscars during his career for the Cinematography in Sons and Lovers (1960) and Glory (1989). He went on to make, amongst others The Skull and Dr Terrors House of Horrors (both 1965) for Amicus. His son, Kevin, went on to form another of Hammer’s rival companies, Tyburn Films.
As well as playing Cecily Femm in Hammer’s The Old Dark House (1963), Jeanette Scott also starred as Karen Goodwin in The Day of the Triffids (1962).
Maurice Denham appeared later as the judge who sent Ronnie Barker’s Fletcher down in the BBC TV sitcom Porridge.