Hammer Connections
Crew | Name | Age at Release | Birth | Hidden | Death | Age | Hammer Productions |
Aerial Photographer | John Harris | 52 | 15 May 1925 | 3 Jul 2012 | 87 | 2 | |
Assistant Director | Bryan Coates | 55 | 22 May 1922 | 19 Mar 1985 | 62 | 1 | |
Charge-hand Props | Brian Payne | 1 | |||||
Continuity | Doreen Soan | 51 | 1926 | 01.01.1926 | 98 | 6 | |
Director of Photography | Alan Hume | 52 | 16 Oct 1924 | 13 Jul 2010 | 85 | 1 | |
Film Editing | John Ireland | 63 | 30 Jan 1914 | 21 Mar 1992 | 78 | 1 | |
Producer | Max Rosenberg | 62 | 13 Sep 1914 | 14 Jun 2004 | 89 | 1 | |
Production Assistant | Vicki Deason | 38 | 2 Dec 1938 | 02.12.1938 | 85 | 1 | |
Production Design by | Maurice Carter | 64 | 24 Apr 1913 | 1 Apr 2000 | 86 | 1 | |
Production Supervisor | Graham Easton | 31 | 26 Jun 1946 | 26.06.1946 | 78 | 2 | |
Scenic Artist | Bill Beavis | 62 | 9 Aug 1914 | 7 Feb 1997 | 82 | 2 | |
Sound Mixer | George Stephenson | 57 | 19 May 1920 | 5 Jun 2001 | 81 | 1 | |
Special Effects Supervisor: Spain | John Richardson | 43 | 10 Jun 1946 | 5 Jan 2021 | 86 | 3 | |
Stunts | Peter Diamond | 47 | 10 Aug 1929 | 27 Mar 2004 | 74 | 29 | |
Wardrobe | Brenda Dabbs | 1 | |||||
Cast | Name | Age at Release | Birth | Death | Age | Hammer Productions | |
Ajor | Dana Gillespie | 28 | 30 Mar 1949 | 30.03.1949 | 75 | 2 | |
Executioner | David Prowse | 42 | 1 Jul 1935 | 28 Nov 2020 | 85 | 3 | |
Hogan | Shane Rimmer | 48 | 28 May 1929 | 29 Mar 2019 | 89 | 1 | |
Lt. Whitby | Richard LeParmentier | 30 | 16 Jul 1946 | 15 Apr 2013 | 66 | 1 | |
Norfolk | Thorley Walters | 64 | 12 May 1913 | 6 Jul 1991 | 78 | 6 | |
Sabbala | Milton Reid | 60 | 29 Apr 1917 | 1987 | 69 | 4 |
Original Poster
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Footnotes
The last film produced by Amicus, Hammer’s chief rival during the 1960’s and 70’s.
During an interview in 2020, actress Dana Gillespie (Ajor) talked about how many fans feel her skimpy outfit and robust physique were highlights of the film. She joked, “Well, it’s mainly because they always seemed to give me the chamois-leather bits that Raquel Welch had discarded from One Million Years B.C. (1966). My costumes were actually much bigger than hers, she’s got the right shape for a bikini which I clearly haven’t, really. But if you play a native girl, there’s only one sort of costume you can be put into: it’s either bits of fur or bits of suede leather.”